Verdict:We Take Everything Upon Ourselves is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.0/10, it has delivered a mixed experience for fans of the Action, War genre.
Answer: Maybe not, We Take Everything Upon Ourselves is likely a skip if you enjoy Action movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1981, We Take Everything Upon Ourselves emerges as a significant entry in the Action, War domain. The narrative core of the film focuses on a sophisticated exploration of During the final months of the World War II, a group of special forces sailors, under the command of Lieutenant Balandin, receives a secret order of special importance to destroy enemy tankers, seaplanes and gun installations to ensure the free landing of their troops. Unlike standard genre fare, We Take Everything Upon Ourselves attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Evgeniy Sherstobitov, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Action elements serve the larger narrative arc rather than just providing spectacle.
The success of any Action is often anchored by its ensemble, and We Take Everything Upon Ourselves features a noteworthy lineup led by Vladimir Nikitin. Supported by the likes of Georgi Dvornikov and Aleksandr Chernyavskiy, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Vladimir Nikitin, Georgi Dvornikov, Aleksandr Chernyavskiy manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1981 cinema, these performances stand as a testament to the evolving standards of acting within the Action, War space.
From a technical perspective, We Take Everything Upon Ourselves is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of We Take Everything Upon Ourselves follows a sophisticated brisk pace. Over its N/A minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, We Take Everything Upon Ourselves resonates with contemporary social and cultural themes prevalent in the Action landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, We Take Everything Upon Ourselves is more than just its synopsis. It is an inquiry into nature of power. During the final months of the World War II, a group of special forces sailors, under the command of Lieutenant Balandin, receives a secret order of special importance to destroy enemy tankers, seaplanes and gun installations to ensure the free landing of their troops.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of We Take Everything Upon Ourselves (1981) is overwhelmingly divisive. With an audience rating of 5/10 and strong performance metrics in the Action, War categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Vladimir Nikitin, Georgi Dvornikov, Aleksandr Chernyavskiy or the visual majesty of its technical execution, We Take Everything Upon Ourselves is a significant contribution to the cinema of 1981. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 5/10, and global collection metrics, We Take Everything Upon Ourselves stands as a challenging project for the creators. It remains an essential piece of the 1981 cinematic year.
We Take Everything Upon Ourselves has received mixed reviews with a 5/10 rating, making it a moderate success with the audience.
We Take Everything Upon Ourselves is a mixed bag. It might be worth watching if you're a fan of Action, War movies, but read reviews first.
We Take Everything Upon Ourselves may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
During the final months of the World War II, a group of special forces sailors, under the command of Lieutenant Balandin, receives a secret order of special importance to destroy enemy tankers, seaplanes and gun installations to ensure the free landing of their troops.