Is Why Are We Young? Worth Watching?
Answer: Maybe not, Why Are We Young? is likely a skip if you enjoy Drama movies.
It features a runtime of 103 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Why Are We Young? is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Maybe not, Why Are We Young? is likely a skip if you enjoy Drama movies.
It features a runtime of 103 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1965, Why Are We Young? emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of After ten years of study in the US, Nonomura Kensuke returns to Japan to be an English teacher at a local high school. Unlike standard genre fare, Why Are We Young? attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Toshio Masuda, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Why Are We Young? features a noteworthy lineup led by Yūjirō Ishihara. Supported by the likes of Yukiyo Toake and Hiroyuki Ôta, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Yūjirō Ishihara, Yukiyo Toake, Hiroyuki Ôta manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1965 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, Why Are We Young? is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Why Are We Young? follows a sophisticated brisk pace. Over its 103 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Why Are We Young? resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Why Are We Young? is more than just its synopsis. It is an inquiry into the complexity of relationships. After ten years of study in the US, Nonomura Kensuke returns to Japan to be an English teacher at a local high school. Kensuke's nontraditional teaching style stirs up the school, but the students gradually accept him.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Why Are We Young? (1965) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Yūjirō Ishihara, Yukiyo Toake, Hiroyuki Ôta or the visual majesty of its technical execution, Why Are We Young? is a significant contribution to the cinema of 1965. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Amazon Prime Video
Amazon Prime Video with AdsAnalyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Why Are We Young? stands as a challenging project for the creators. It remains an essential piece of the 1965 cinematic year.
Why Are We Young? is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Why Are We Young? may not be worth watching unless you are a die-hard fan.
Why Are We Young? is currently available for streaming on Amazon Prime Video. You can also check for it on platforms like Amazon Prime Video, Amazon Prime Video with Ads depending on your region.
After ten years of study in the US, Nonomura Kensuke returns to Japan to be an English teacher at a local high school. Kensuke's nontraditional teaching style stirs up the school, but the students gradually accept him.