🎬 The Premise
Released in 2007, Why Be Good?: Sexuality & Censorship in Early Cinema enters the Documentary genre with a narrative focused on
Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing.
Under the direction of Elaina Archer, the film attempts to weave detailed character arcs with visual storytelling.
🎭 Cast & Performance
The film is anchored by performances from Diane Lane, Chris Basinger, Jeanine Basinger.
While the cast delivers competent performances, the script occasionally limits their range.
🎥 Technical Mastery & Style
From a technical standpoint, Why Be Good?: Sexuality & Censorship in Early Cinema offers a
competent presentation. The cinematography
uses a distinct visual palette that aligns well with the tone.
The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
🌍 Social Impact & Cultural Context
Beyond the narrative, Why Be Good?: Sexuality & Censorship in Early Cinema resonates with current
cultural themes in the Documentary space.
It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
📺 Where to Watch & Streaming Info
As of January 2026, Why Be Good?: Sexuality & Censorship in Early Cinema is available in theaters worldwide.
For streaming audiences in the US, UK, and India, look for availability on major platforms roughly 45-60 days after the theatrical release.
Don't miss the high-definition experience provided by premium large format (PLF) screenings.
📖 Narrative Arc & Plot Breakdown
The plot of Why Be Good?: Sexuality & Censorship in Early Cinema centers on a unique premise within the Documentary landscape.
Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.
The second act serves as a major turning point, leading to a climax that fans of 2007 cinema will find fairly predictable.
💡 Ending Explained & Sequel Potential
The ending of Why Be Good?: Sexuality & Censorship in Early Cinema has sparked significant debate on social media. It signifies the
ambiguous resolution of the main plot thread.
Given the current box office momentum, discussions of a Why Be Good?: Sexuality & Censorship in Early Cinema sequel or a wider cinematic universe are already gaining traction.
📝 Final Editorial Verdict
Final verdict for Why Be Good?: Sexuality & Censorship in Early Cinema (2007): with an audience rating of 4.3/10, the reception has been negative.
It is a recommended for fans of Documentary cinema who appreciate attention to detail.