Is Witches are Bitches Worth Watching?
Answer: Maybe not, Witches are Bitches is likely a skip if you enjoy Fantasy movies.
It features a runtime of 85 minutes and offers a standard storyline that appeals to mature audiences.
Verdict:Witches are Bitches is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Fantasy, Horror genre.
Answer: Maybe not, Witches are Bitches is likely a skip if you enjoy Fantasy movies.
It features a runtime of 85 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1996, Witches are Bitches emerges as a significant entry in the Fantasy, Horror domain. The narrative core of the film focuses on a sophisticated exploration of When the sinister advances of two beautiful witches are spurned by a shy young girl, they cast a wicked spell. Unlike standard genre fare, Witches are Bitches attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Rodney Moore, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Fantasy elements serve the larger narrative arc rather than just providing spectacle.
The success of any Fantasy is often anchored by its ensemble, and Witches are Bitches features a noteworthy lineup led by Anna Malle. Supported by the likes of Ashley Shye and Emily Hill, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Anna Malle, Ashley Shye, Emily Hill manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1996 cinema, these performances stand as a testament to the evolving standards of acting within the Fantasy, Horror space.
From a technical perspective, Witches are Bitches is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Witches are Bitches follows a sophisticated brisk pace. Over its 85 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Witches are Bitches resonates with contemporary social and cultural themes prevalent in the Fantasy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Witches are Bitches is more than just its synopsis. It is an inquiry into the boundaries of human experience. When the sinister advances of two beautiful witches are spurned by a shy young girl, they cast a wicked spell. Tarana (Anna Malle) changes ravenna (Victoria Lee) into a guitar whose music bewitches all the sweet and innocent girls who hear it ... turning them into nasty sluts. But the guitar soon falls into the hands of London, a scruffy rocker. He doesn't know it's evil power ... but why should he care as beautiful girls are suddenly stripping off their clothes whenever he plays it.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Witches are Bitches (1996) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Fantasy, Horror categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Anna Malle, Ashley Shye, Emily Hill or the visual majesty of its technical execution, Witches are Bitches is a significant contribution to the cinema of 1996. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $8K |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Witches are Bitches is $8K. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Witches are Bitches stands as a challenging project for the creators. It remains an essential piece of the 1996 cinematic year.
Witches are Bitches is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Witches are Bitches may not be worth watching unless you are a die-hard fan.
Witches are Bitches may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
When the sinister advances of two beautiful witches are spurned by a shy young girl, they cast a wicked spell. Tarana (Anna Malle) changes ravenna (Victoria Lee) into a guitar whose music bewitches all the sweet and innocent girls who hear it ... turning them into nasty sluts. But the guitar soon falls into the hands of London, a scruffy rocker. He doesn't know it's evil power ... but why should he care as beautiful girls are suddenly stripping off their clothes whenever he plays it.