Worst Contact (2000) movie backdrop
Worst Contact (2000) movie poster

Worst Contact Hit or Flop?

Rating
0.0/10
🎯Verdict
FLOP
👍 GOOD
  • Engaging Storyline
  • Strong Performances
👎 BAD
  • Pacing issues in mid
  • Predictable ending
200021 min
Audience VerdictFLOP

Worst Contact

Worst Contact Movie Hit or Flop?

FLOP

Verdict:Worst Contact is a confirmed FLOP based on our analysis of audience ratings and box office momentum.

With a rating of 0.0/10, it has delivered a mixed experience for fans of the genre.

Is Worst Contact Worth Watching?

Answer: Maybe not, Worst Contact is likely a skip if you enjoy movies.

It features a runtime of 21 minutes and offers a standard storyline that appeals to general audiences.

0.00 votes
21Minutes
2000Release Year
Visual Story

Worst Contact Review

Last updated: January 16, 2026

🎬 Detailed Premise & Narrative Foundations

Released in the dynamic cinematic landscape of 2000, Worst Contact emerges as a significant entry in the Cinema domain. The narrative core of the film focuses on a sophisticated exploration of In the near future, a man undergoes an experiment by sharing living quarters with an alien aboard a space station. Unlike standard genre fare, Worst Contact attempts to deconstruct traditional tropes, offering a conventional take on its central themes.

The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Gen Sekiguchi, every scene is crafted to contribute to the atmospheric weight of the story.

🎭 Cast Performances: A Masterclass in Character Study

The success of any Film is often anchored by its ensemble, and Worst Contact features a noteworthy lineup led by Jai West . Supported by the likes of Takao Osawa and , the performances bring a palpable realism to the scripted words.

Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, their sheer charisma keeps the audience invested. In the broader context of 2000 cinema, these performances stand as a testament to the evolving standards of acting.

🎥 Directorial Vision & Technical Craftsmanship

From a technical perspective, Worst Contact is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production.

Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic. Furthermore, the sonic landscape adds a layer of subtextual narrative that rewards attentive viewers.

📜 Narrative Pacing & Structural Integrity

The structure of Worst Contact follows a sophisticated brisk pace. Over its 21 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining.

Critically, the editing choices help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience.

🌍 Cultural Impact & Global Resonance

Beyond its immediate entertainment value, Worst Contact resonates with contemporary social and cultural themes prevalent in the Modern landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.

💡 Final Verdict: Is it Worth Watching?

In summary, our editorial assessment of Worst Contact (2000) is overwhelmingly negative. With an audience rating of 0.0/10, it stands as a highly recommended experience for genre enthusiasts.

Top Highlights

Parents Guide & Age Rating

Not Rated
Worst Contact has not been officially rated yet.

Final Verdict

Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Worst Contact stands as a challenging project for the creators. It remains an essential piece of the 2000 cinematic year.

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