Is You're a Big Boy Now Worth Watching?
Answer: Yes, You're a Big Boy Now is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 97 minutes and offers a standard storyline that appeals to general audiences.

Verdict:You're a Big Boy Now is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.1/10, it has delivered a mixed experience for fans of the Comedy, Romance genre.
Answer: Yes, You're a Big Boy Now is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 97 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 11, 2026
Released in 1966, You're a Big Boy Now enters the Comedy genre with a narrative focused on Naive library clerk Bernard Chanticleer moves out of his parents’ home and into a chaotic city full of eccentric landlords, meddling parents, and romantic missteps. Under the direction of Francis Ford Coppola, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Elizabeth Hartman. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, You're a Big Boy Now offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
Beyond the narrative, You're a Big Boy Now resonates with current cultural themes in the Comedy space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, You're a Big Boy Now is available in theaters worldwide. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Amazon Prime and Apple TV roughly 45-60 days after the theatrical release.
The plot of You're a Big Boy Now centers on a unique premise within the Comedy landscape. Naive library clerk Bernard Chanticleer moves out of his parents’ home and into a chaotic city full of eccentric landlords, meddling parents, and romantic missteps. Infatuated with a glamorous but manipulative go-go dancer, he learns through heartbreak—and the kindness of a steadfast admirer—what growing up really means. The second act serves as a major turning point, leading to a climax that fans of 1966 cinema will find fairly predictable.
The ending of You're a Big Boy Now has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a You're a Big Boy Now sequel or a wider cinematic universe are already gaining traction.
Final verdict for You're a Big Boy Now (1966): with an audience rating of 6.1/10, the reception has been divisive. It is a recommended for fans of Comedy, Romance cinema who appreciate attention to detail.
Analyzing the audience sentiment, IMDb rating of 6.1/10, and global collection metrics, You're a Big Boy Now stands as a challenging project for the creators. It remains an essential piece of the 1966 cinematic year.
You're a Big Boy Now has received mixed reviews with a 6.1/10 rating, making it a moderate success with the audience.
You're a Big Boy Now is a mixed bag. It might be worth watching if you're a fan of Comedy, Romance movies, but read reviews first.
You're a Big Boy Now may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
You're a Big Boy Now has received mixed reviews with a 6.1/10 rating, making it a moderate success with the audience.
You're a Big Boy Now is a mixed bag. It might be worth watching if you're a fan of Comedy, Romance movies, but read reviews first.
You're a Big Boy Now may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
You're a Big Boy Now is a Comedy, Romance movie that follows: Naive library clerk Bernard Chanticleer moves out of his parents’ home and into a chaotic city full of eccentric landlords, meddling parents, and romantic missteps. Infatuated with a glamorous but man...
Yes, You're a Big Boy Now is generally suitable for family viewing as it is a Comedy, Romance movie.
You're a Big Boy Now is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
Naive library clerk Bernard Chanticleer moves out of his parents’ home and into a chaotic city full of eccentric landlords, meddling parents, and romantic missteps. Infatuated with a glamorous but manipulative go-go dancer, he learns through heartbreak—and the kindness of a steadfast admirer—what growing up really means.
_**A naïve lad goes through an awkward and quirky growth phase in Manhattan**_ A 19 year-old “boy” working as a low-level assistant at the New York Public Library (Peter Kastner) is encouraged by his strict curator father (Rip Torn) to move out on his own and so gets an apartment with a nosey landlady (Julie Harris). There’s a quality lass at work (Karen Black) who’s interested in Bernard (Kastner), but he sets his eyes on a temperamental go-go dancer (Elizabeth Hartman). “You’re a Big Boy Now” (1966) is a quirky coming-of-age comedy/romance set in the Big Apple based on the 1963 novel of the same name, except that the setting was switched from London to Manhattan along with changing the kid’s vocation. It was Francis Ford Coppola’s thesis project for UCLA, but this is far from a “student film” as it has the polish of professionalism. He had already directed a couple flicks for Roger Corman with this one including a couple snippets from his “Dementia 13” (1963). Coppola made $8000 on the gig with an $800,000 budget that spiraled into about $1 million. While critics say the movie rips off Richard Lester's “The Knack ...and How to Get It” (1965), Francis said his script was written before that one came out, but he did admit to being influenced by Lester’s “Hard Day’s Night” (1964). I couldn’t help think of “Village of the Giants” (1965), just without the goofy giant-formula, although there’s definitely some goofiness, like the amusing rooster on the fifth floor. “The Graduate” (1967) was obviously influenced by it, but I’d watch this over that iconic film any day. After viewing, I was reflecting on the art vs. entertainment conundrum because Coppola made a flick with obvious artistic flair that didn't forget to be entertaining. It’s nice seeing Julie Harris when she was 40 during shooting. You might remember her from Columbo’s “Any Old Port in a Storm” (1971). Elizabeth was from the Youngstown/Boardman area of Ohio. You might remember her from Eastwood’s “The Beguiled” (1973). She was shy in real-life and suffered from depression, which tragically ended with her ending her life by jumping from the fifth story of her apartment in Pittsburgh at the age of 43. The movie runs 1 hour, 37 minutes, and was shot at various Manhattan locations, including the New York Public Library, Times Square and Central Park, as well as Chelsea Studios in New York City. GRADE: B