Is A Small Mourning Worth Watching? Honest Movie Review & Audience Verdict (1989)
When Marjorie's husband of 20 years dies of a brain tumour, she's hit financially as well as emotionally. The money she makes packing tights in a factory isn't enough to cover her ...
✨ The Quick Verdict
If you are a fan of Drama, TV Movie cinema, then A Small Mourning offers a standard experience that justifies its existence in the 1989 landscape.
👥 Target Audience
📔 Detailed Analysis
🎬 The Narrative Arc & Core Premise
Debuting in 1989, A Small Mourning represents a sophisticated intersection of artistic ambition and genre-defining elements within the Drama, TV Movie category. The primary thematic concern of the film is an investigation into When Marjorie's husband of 20 years dies of a brain tumour, she's hit financially as well as emotionally. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama, TV Movie are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "When Marjorie's husband of 20 years dies of a brain tumour, she's hit financially as well as emotionally. The money she makes packing tights in a factory isn't enough to cover her rent, and her TV is repossessed. Soon after the funeral she meets Arnold, a wealthy pub landlord, who squires her to the local Conservative Club ball in an effort to cheer her up. Life with Arnold promises not only companionship but undreamt-of luxury, but Marjorie's friends and family do not necessarily approve."
🎭 Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of Alison Steadman provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.
The direction by Chris Bernard is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 65 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
🤔 Critical Assessment: Why You Should Watch
Is A Small Mourning truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, TV Movie, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
⚖️ Philosophical Subtext & Directorial Vision
At a deeper level, A Small Mourning explores the dichotomy of truth and perception. The 1989 audience is increasingly sophisticated, and Chris Bernard respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
🏆 Final Editorial Recommendation
Ultimately, A Small Mourning is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Alison Steadman or the critical acclaim surrounding its release, A Small Mourning is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.1 hours, the film requires a standard time commitment.