Is Ripe Sex Play: Tingle Worth Watching? Honest Movie Review & Audience Verdict (1991)
A sequel to "Destroy the Evil", it follows the protagonist of the previous film, who is pursued by the yakuza and moves to a rural town in Chiba. The story concludes with a tragic...
✨ The Quick Verdict
If you are a fan of Crime cinema, then Ripe Sex Play: Tingle offers a standard experience that justifies its existence in the 1991 landscape.
👥 Target Audience
📔 Detailed Analysis
📖 The Core Premise
Ripe Sex Play: Tingle stands as a 1991 entry that attempts to leave its mark on the Crime landscape. At its heart, the film explores complex themes wrapped in a compelling storyline. As the plot unfolds, we see characters navigating a world where stakes are high. " A sequel to "Destroy the Evil", it follows the protagonist of the previous film, who is pursued by the yakuza and moves to a rural town in Chiba. The story concludes with a tragic ending, but as the title "Keep running, keep running!" At the end of the film, there is an image shot of the protagonists who continue to run, as the title suggests, and this is a strong statement to the director himself and to the audience."
🎬 Performance & Direction
A movie's success often hinges on its execution. Kazuhiro Sano attempts to elevate the material, but the direction leaves them with little to work with. The direction aims to balance pacing with character development, a hallmark of good Crime. While there are moments of brilliance, the pacing occasionally dips.
🤔 Why You Should Watch (or Skip)
Is Ripe Sex Play: Tingle worth your time? If you appreciate Crime films that take risks, this is likely a decent one-time watch. However, if you are looking for a flawless masterpiece, you might find some plot points predictable.
🏆 Final Verdict
Ultimately, Ripe Sex Play: Tingle misses the mark on several fronts.
With a runtime of 55 minutes, it asks for a significant time investment, but for the right audience, it pays off.
Our recommendation: Skip It.
⏳ Time Investment
At approximately 0.9 hours, the film requires a standard time commitment.