Profit & Loss Analysis

Is Roy Orbison: Black and White Night 30 Worth Watching? Honest Movie Review & Audience Verdict (2017)
Black and White Night 30 is a re-imagined, re-edited, remastered and expanded version of the original television special. Re-edited by Roy's youngest son Alex Orbison, the program ...
✨ The Quick Verdict
If you are a fan of Music, Documentary cinema, then Roy Orbison: Black and White Night 30 offers a standard experience that justifies its existence in the 2017 landscape.
👥 Target Audience
📔 Detailed Analysis
📖 The Core Premise
Roy Orbison: Black and White Night 30 returns to the screen in 2017, bringing a fresh narrative to the Music, Documentary genre. At its heart, the film explores complex themes wrapped in a compelling storyline. As the plot unfolds, we see characters navigating a world where stakes are high. "Black and White Night 30 is a re-imagined, re-edited, remastered and expanded version of the original television special. Re-edited by Roy's youngest son Alex Orbison, the program has been restored to reflect the correct set order as the audience who attended the show saw it."
🎬 Performance & Direction
A movie's success often hinges on its execution. Jennifer Warnes attempts to elevate the material, but the direction leaves them with little to work with. The direction aims to balance pacing with character development, a hallmark of good Music. While there are moments of brilliance, the pacing occasionally dips.
🤔 Why You Should Watch (or Skip)
Is Roy Orbison: Black and White Night 30 worth your time? If you appreciate Music, Documentary films that take risks, this is likely a decent one-time watch. However, if you are looking for a flawless masterpiece, you might find some plot points predictable.
🏆 Final Verdict
Ultimately, Roy Orbison: Black and White Night 30 misses the mark on several fronts.
With a runtime of 133 minutes, it asks for a significant time investment, but for the right audience, it pays off.
Our recommendation: Skip It.
⏳ Time Investment
At approximately 2.2 hours, the film requires a standard time commitment.