Is September September Worth Watching? Honest Movie Review & Audience Verdict (1986)
"[This film] embodies (...) one of his [Hahnemann's] most mature films. Rainy rides along Schönhauser Allee, which seems to be depopulated. Past the 'Viennese Café', the meeting pl...
✨ The Quick Verdict
If you are a fan of Documentary cinema, then September September offers a standard experience that justifies its existence in the 1986 landscape.
👥 Target Audience
📔 Detailed Analysis
🎬 The Narrative Arc & Core Premise
In the evolving tapestry of Documentary cinema, the 1986 release of September September stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into "[This film] embodies (. As the story unfolds, we are introduced to a world where the traditional boundaries of Documentary are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: ""[This film] embodies (...) one of his [Hahnemann's] most mature films. Rainy rides along Schönhauser Allee, which seems to be depopulated. Past the 'Viennese Café', the meeting place par excellence. From a moving train the view of idyllic landscapes, on the horizon a castle. The camera tilts, turns, until the world is upside down. Scenes of an action with the artist friend Heike Stephan: in the sanctuary Hahnemann, black painted with a white turban, and Stephan, stack cages with rabbits on top of each other. Then TV recordings of a discussion forum with Jean-Luc Godard and Rosa von Praunheim - scenes as from another planet. From the off again and again a poem Hahnemann, recited by Peter Mario Graus. The diction is initially calm, almost factual, increases, eventually overturns, but then falls back, resigned. " (Claus Löser in "Gegenbilder")"
🎭 Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Jean-Luc Godard does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.
The direction by Gino Hahnemann is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 6 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
🤔 Critical Assessment: Why You Should Watch
Is September September truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Documentary, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
⚖️ Philosophical Subtext & Directorial Vision
At a deeper level, September September explores the dichotomy of truth and perception. The 1986 audience is increasingly sophisticated, and Gino Hahnemann respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
🏆 Final Editorial Recommendation
Ultimately, September September is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Jean-Luc Godard or the critical acclaim surrounding its release, September September is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 0.1 hours, the film requires a standard time commitment.