
Is Small Faces Worth Watching? Honest Movie Review & Audience Verdict (1996)
Three teenage brothers, gang-member Bobby, troubled mama's boy Alan and self-assured prankster Lex, reside in a downtrodden section of Glasgow, Scotland, circa 1968. But while Bobb...
✨ The Quick Verdict
If you are a fan of Drama cinema, then Small Faces offers a standard experience that justifies its existence in the 1996 landscape.
👥 Target Audience
📔 Detailed Analysis
🎬 The Narrative Arc & Core Premise
Debuting in 1996, Small Faces represents a sophisticated intersection of artistic ambition and genre-defining elements within the Drama category. The primary thematic concern of the film is an investigation into Three teenage brothers, gang-member Bobby, troubled mama's boy Alan and self-assured prankster Lex, reside in a downtrodden section of Glasgow, Scotland, circa 1968. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Three teenage brothers, gang-member Bobby, troubled mama's boy Alan and self-assured prankster Lex, reside in a downtrodden section of Glasgow, Scotland, circa 1968. But while Bobby and Alan are beginning to experience the power of raging hormones, the story focuses on Lex, who begins a downward spiral after he accidentally shoots the leader of Bobby's gang. Lex's cockiness and immaturity unfortunately prevent him from understanding the effect his subsequent crimes will have on both himself, and on those around him."
🎭 Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. In Small Faces, we see Iain Robertson utilizing their established screen presence to carry the story forward. It is a solid, workmanlike performance that serves the director's vision without overshadowing the larger narrative goals.
The direction by Gillies MacKinnon is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 108 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
🤔 Critical Assessment: Why You Should Watch
Is Small Faces truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.
The film's ability to perfectly execute its genre requirements is why it has earned its 6.3/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
⚖️ Philosophical Subtext & Directorial Vision
At a deeper level, Small Faces explores the dichotomy of truth and perception. The 1996 audience is increasingly sophisticated, and Gillies MacKinnon respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
🏆 Final Editorial Recommendation
Ultimately, Small Faces serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Iain Robertson or the critical acclaim surrounding its release, Small Faces is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.8 hours, the film requires a standard time commitment.