Is Sometimes the Good Kill Worth Watching? Honest Movie Review & Audience Verdict (2017)

🎬 The Narrative Arc & Core Premise

Debuting in 2017, Sometimes the Good Kill represents a sophisticated intersection of artistic ambition and genre-defining elements within the Thriller, Drama, Crime, Mystery category. The primary thematic concern of the film is an investigation into After a mysterious death at the Abbey, Sister Talia finds herself caught in the center of the internal investigation. As the story unfolds, we are introduced to a world where the traditional boundaries of Thriller, Drama, Crime, Mystery are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "After a mysterious death at the Abbey, Sister Talia finds herself caught in the center of the internal investigation. With strict orders from the newly elected Mother Superior, she must uncover the truth behind the death and ensure the Abbey remains undisturbed. Things take a sharp turn when another sister is found murdered and Sister Talia is forced to find the killer. As she discovers larger secrets plaguing the Abbey, Sister Talia must reconcile her past life in order to follow through with the task at hand. For Sister Talia, all that she knows about the Abbey and her Sisters is about to come into question, as she discovers sometimes the good kill."

🎭 Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. While the script occasionally leans into familiar territory, the efforts of Susie Abromeit ensure that the emotional beats of Sometimes the Good Kill always land with sufficient weight. Susie Abromeit provides a steady, reliable performance that anchors the film through its narrative shifts.

The direction by Philippe Gagnon is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 85 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

🤔 Critical Assessment: Why You Should Watch

Is Sometimes the Good Kill truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Thriller, Drama, Crime, Mystery, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 5.2/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

⚖️ Philosophical Subtext & Directorial Vision

At a deeper level, Sometimes the Good Kill explores the dichotomy of truth and perception. The 2017 audience is increasingly sophisticated, and Philippe Gagnon respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

🏆 Final Editorial Recommendation

Ultimately, Sometimes the Good Kill is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Susie Abromeit or the critical acclaim surrounding its release, Sometimes the Good Kill is a film that demands to be seen on the largest screen possible.