
Is The Argument Worth Watching? Honest Movie Review & Audience Verdict (1999)
Sometimes viewed as a companion piece to Lucifer Rising, Cammell’s 1972 short was left incomplete by the director and rediscovered and finished by his editor and close collaborator...
✨ The Quick Verdict
If you are a fan of Documentary cinema, then The Argument offers a standard experience that justifies its existence in the 1999 landscape.
👥 Target Audience
📔 Detailed Analysis
🎬 The Narrative Arc & Core Premise
The Argument, a standout production of 1999, meticulously weaves its narrative threads through the Documentary landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into Sometimes viewed as a companion piece to Lucifer Rising, Cammell’s 1972 short was left incomplete by the director and rediscovered and finished by his editor and close collaborator Frank Mazzola in 1999. As the story unfolds, we are introduced to a world where the traditional boundaries of Documentary are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Sometimes viewed as a companion piece to Lucifer Rising, Cammell’s 1972 short was left incomplete by the director and rediscovered and finished by his editor and close collaborator Frank Mazzola in 1999. The result is a visually stunning piece of work, shot in Bryce Canyon by the great Vilmos Zsigmond in glorious color and Cinemascope, with Myriam Gibril as Aisha the Witch and Kendrew Lascelles as the Director shouting a philosophical dialogue amidst the echoing rock formations."
🎭 Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. In The Argument, we see Myriam Gibril utilizing their established screen presence to carry the story forward. It is a solid, workmanlike performance that serves the director's vision without overshadowing the larger narrative goals.
The direction by Donald Cammell is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 14 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
🤔 Critical Assessment: Why You Should Watch
Is The Argument truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Documentary, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.
The film's ability to perfectly execute its genre requirements is why it has earned its 6.1/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
⚖️ Philosophical Subtext & Directorial Vision
At a deeper level, The Argument explores the dichotomy of truth and perception. The 1999 audience is increasingly sophisticated, and Donald Cammell respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
🏆 Final Editorial Recommendation
Ultimately, The Argument serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Myriam Gibril or the critical acclaim surrounding its release, The Argument is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 0.2 hours, the film requires a standard time commitment.