
Is The Enemy Worth Watching? Honest Movie Review & Audience Verdict (1965)
An ex-soldier named Slobodan Antic, referred to by a friend as one of the last idealists, finds himself losing control over his own life when a man identical to him starts followin...
✨ The Quick Verdict
If you are a fan of Drama cinema, then The Enemy offers a standard experience that justifies its existence in the 1965 landscape.
👥 Target Audience
📔 Detailed Analysis
🎬 The Narrative Arc & Core Premise
Debuting in 1965, The Enemy represents a sophisticated intersection of artistic ambition and genre-defining elements within the Drama category. The primary thematic concern of the film is an investigation into An ex-soldier named Slobodan Antic, referred to by a friend as one of the last idealists, finds himself losing control over his own life when a man identical to him starts following him around, claiming to be a friend but behaving suspiciously. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "An ex-soldier named Slobodan Antic, referred to by a friend as one of the last idealists, finds himself losing control over his own life when a man identical to him starts following him around, claiming to be a friend but behaving suspiciously. Before long his dealings with this doppelganger begin to cost him and his professional and romantic life grow more and more confused."
🎭 Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. In The Enemy, we see Velimir Živojinović utilizing their established screen presence to carry the story forward. It is a solid, workmanlike performance that serves the director's vision without overshadowing the larger narrative goals.
The direction by Živojin Pavlović is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 95 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
🤔 Critical Assessment: Why You Should Watch
Is The Enemy truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.
The film's ability to perfectly execute its genre requirements is why it has earned its 6/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
⚖️ Philosophical Subtext & Directorial Vision
At a deeper level, The Enemy explores the dichotomy of truth and perception. The 1965 audience is increasingly sophisticated, and Živojin Pavlović respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
🏆 Final Editorial Recommendation
Ultimately, The Enemy serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Velimir Živojinović or the critical acclaim surrounding its release, The Enemy is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.6 hours, the film requires a standard time commitment.