Is Things, We Do Not Talk About Worth Watching? Honest Movie Review & Audience Verdict (2020)

🎬 The Narrative Arc & Core Premise

Debuting in 2020, Things, We Do Not Talk About represents a sophisticated intersection of artistic ambition and genre-defining elements within the Comedy, Drama category. The primary thematic concern of the film is an investigation into An adaptation of the Australian film “The Little Death” (2014). As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy, Drama are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "An adaptation of the Australian film “The Little Death” (2014). A black comedy about sex, love, relationships and taboo. Five couples, five problems, five ways to solve those problems … not all of these ways are correct. The film is about the taboo things we don’t talk about behind closed doors – on the big screen."

🎭 Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The performance by Jan Uuspõld is nothing short of transformative, providing an emotional anchor that tethers the film's more abstract concepts to a relatable human experience. Jan Uuspõld captures the nuance of the script with a performance that will likely define their career for years to come.

The direction by Andrejs Ēķis is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 109 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

🤔 Critical Assessment: Why You Should Watch

Is Things, We Do Not Talk About truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, Drama, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.

The film's ability to perfectly execute its genre requirements is why it has earned its 7/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

⚖️ Philosophical Subtext & Directorial Vision

At a deeper level, Things, We Do Not Talk About explores the dichotomy of truth and perception. The 2020 audience is increasingly sophisticated, and Andrejs Ēķis respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

🏆 Final Editorial Recommendation

Ultimately, Things, We Do Not Talk About serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Jan Uuspõld or the critical acclaim surrounding its release, Things, We Do Not Talk About is a film that demands to be seen on the largest screen possible.