Is Too Much Worth Watching? Honest Movie Review & Audience Verdict (1987)

🎬 The Narrative Arc & Core Premise

In the evolving tapestry of Comedy, Science Fiction cinema, the 1987 release of Too Much stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into When Suzie and her parents take a visit to Japan her father's business partner, an inventor called Tetsuro decides to make Suzie a robot. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy, Science Fiction are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "When Suzie and her parents take a visit to Japan her father's business partner, an inventor called Tetsuro decides to make Suzie a robot. The robot's name is 'Too Much' (or TM for short) and he and Suzie become the best of friends. But when the day comes for Suzie to return home she finds she's not allowed to take TM with her, so they run away together. However, they must watch out for a rival inventor of Tetsuro's is looking for them so that he can examine TM's programming. Will TM and Suzie manage to escape from his clutches and prove that love conquers all?"

🎭 Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. In Too Much, we see Bridgette Andersen utilizing their established screen presence to carry the story forward. It is a solid, workmanlike performance that serves the director's vision without overshadowing the larger narrative goals.

The direction by Éric Rochat is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 89 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

🤔 Critical Assessment: Why You Should Watch

Is Too Much truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, Science Fiction, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.

The film's ability to perfectly execute its genre requirements is why it has earned its 6.4/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

⚖️ Philosophical Subtext & Directorial Vision

At a deeper level, Too Much explores the dichotomy of truth and perception. The 1987 audience is increasingly sophisticated, and Éric Rochat respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

🏆 Final Editorial Recommendation

Ultimately, Too Much serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Bridgette Andersen or the critical acclaim surrounding its release, Too Much is a film that demands to be seen on the largest screen possible.