SOD Female Employees A First Year Assistant Director In The Production Department We Stuck Like Glue To Karen Sato And Were Able To Film Some Sexy Footage Box Office Collection, Budget & Verdict

📜 Detailed Financial Report

The financial journey of SOD Female Employees A First Year Assistant Director In The Production Department We Stuck Like Glue To Karen Sato And Were Able To Film Some Sexy Footage began with its theatrical debut in 2016. Production insiders estimate the budget to be around an undisclosed amount. This figure typically includes principal photography, talent fees, and post-production costs, but often excludes marketing and distribution expenses which can add another 30-50% to the total investment.

📈 Collection Trajectory

The box office journey for SOD Female Employees A First Year Assistant Director In The Production Department We Stuck Like Glue To Karen Sato And Were Able To Film Some Sexy Footage has culminated in a worldwide gross of approximately TBA. The momentum at the ticket windows suggested a niche appeal rather than a broad mass-market breakout.

⚖️ Profitability & Verdict

In the modern film economy, theatrical revenue is just one slice of the pie. However, it remains the primary indicator of a film's "Hit" or "Flop" status. Based on the reported numbers and audience reception (0/10), SOD Female Employees A First Year Assistant Director In The Production Department We Stuck Like Glue To Karen Sato And Were Able To Film Some Sexy Footage is effectively categorized as a Financial Disappointment.

🔍 Comparables

When compared to other Documentary releases of 2016, SOD Female Employees A First Year Assistant Director In The Production Department We Stuck Like Glue To Karen Sato And Were Able To Film Some Sexy Footage stands as a testament to the volatile nature of the genre. Its performance will likely influence studio decisions for future projects in this category.