Is SOD Female Employees A First Year Assistant Director In The Production Department We Stuck Like Glue To Karen Sato And Were Able To Film Some Sexy Footage a Hit or Flop? Official Box Office Record & Profit Analysis

📜 Detailed Financial Report

In the competitive landscape of 2016, SOD Female Employees A First Year Assistant Director In The Production Department We Stuck Like Glue To Karen Sato And Were Able To Film Some Sexy Footage debuted as a Documentary film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.

📈 Collection Trajectory

The box office journey for SOD Female Employees A First Year Assistant Director In The Production Department We Stuck Like Glue To Karen Sato And Were Able To Film Some Sexy Footage has culminated in a worldwide gross of approximately $30,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The underwhelming numbers suggest a disconnect with the intended audience, limiting the film's potential for a long theatrical life.

⚖️ Profitability & Verdict

Analyzing the multiplier effect and market sentiment, SOD Female Employees A First Year Assistant Director In The Production Department We Stuck Like Glue To Karen Sato And Were Able To Film Some Sexy Footage navigated the competitive landscape with an audience reception score of 0/10. When weighing the production costs against the global returns, SOD Female Employees A First Year Assistant Director In The Production Department We Stuck Like Glue To Karen Sato And Were Able To Film Some Sexy Footage is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.

🔍 Comparables

In the context of other Documentary releases, the performance of SOD Female Employees A First Year Assistant Director In The Production Department We Stuck Like Glue To Karen Sato And Were Able To Film Some Sexy Footage will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2016 box office narrative.