Sometimes the Good Kill (2017) movie backdrop
Sometimes the Good Kill (2017) movie poster
⭐ Rating5.2/10
🎯 Verdict AVERAGE
👍 Good
  • Engaging Storyline
  • Strong Performances
👎 Bad
  • Pacing issues in mid
  • Predictable ending
201785 minThriller, Drama, Crime, Mystery
Audience VerdictAVERAGE

Sometimes the Good Kill

Sometimes the Good Kill Movie Hit or Flop?

FLOP

Verdict:Sometimes the Good Kill is a confirmed FLOP based on our analysis of audience ratings and box office momentum.

With a rating of 5.2/10, it has delivered a mixed experience for fans of the Thriller, Drama, Crime, Mystery genre.

Is Sometimes the Good Kill Worth Watching?

Answer: Maybe not, Sometimes the Good Kill is likely a skip if you enjoy Thriller movies.

It features a runtime of 85 minutes and offers a standard storyline that appeals to mature audiences.

5.220 votes
85Minutes
2017Release Year
Visual Story
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Sometimes the Good Kill Review

Last updated: January 12, 2026

🎬 Detailed Premise & Narrative Foundations

Released in the dynamic cinematic landscape of 2017, Sometimes the Good Kill emerges as a significant entry in the Thriller, Drama, Crime, Mystery domain. The narrative core of the film focuses on a sophisticated exploration of After a mysterious death at the Abbey, Sister Talia finds herself caught in the center of the internal investigation. Unlike standard genre fare, Sometimes the Good Kill attempts to deconstruct traditional tropes, offering a conventional take on its central themes.

The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Philippe Gagnon, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Thriller elements serve the larger narrative arc rather than just providing spectacle.

🎭 Cast Performances: A Masterclass in Character Study

The success of any Thriller is often anchored by its ensemble, and Sometimes the Good Kill features a noteworthy lineup led by Susie Abromeit. Supported by the likes of Amanda Brugel and Krista Bridges, the performances bring a palpable realism to the scripted words.

Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Susie Abromeit, Amanda Brugel, Krista Bridges manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2017 cinema, these performances stand as a testament to the evolving standards of acting within the Thriller, Drama, Crime, Mystery space.

🎥 Directorial Vision & Technical Craftsmanship

From a technical perspective, Sometimes the Good Kill is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.

Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.

📜 Narrative Pacing & Structural Integrity

The structure of Sometimes the Good Kill follows a sophisticated brisk pace. Over its 85 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.

Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.

🌍 Cultural Impact & Global Resonance

Beyond its immediate entertainment value, Sometimes the Good Kill resonates with contemporary social and cultural themes prevalent in the Thriller landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.

This cultural relevance is likely why it has garnered a 5.2/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.

📖 Plot Breakdown & Philosophical Subtext

Analyzing the plot deeper, Sometimes the Good Kill is more than just its synopsis. It is an inquiry into the boundaries of human experience. After a mysterious death at the Abbey, Sister Talia finds herself caught in the center of the internal investigation. With strict orders from the newly elected Mother Superior, she must uncover the truth behind the death and ensure the Abbey remains undisturbed. Things take a sharp turn when another sister is found murdered and Sister Talia is forced to find the killer. As she discovers larger secrets plaguing the Abbey, Sister Talia must reconcile her past life in order to follow through with the task at hand. For Sister Talia, all that she knows about the Abbey and her Sisters is about to come into question, as she discovers sometimes the good kill.

The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.

💡 Final Verdict: Is it Worth Watching?

In summary, our editorial assessment of Sometimes the Good Kill (2017) is overwhelmingly divisive. With an audience rating of 5.2/10 and strong performance metrics in the Thriller, Drama, Crime, Mystery categories, it stands as a highly recommended experience for genre enthusiasts.

Whether you choose to experience it for the stellar performances from Susie Abromeit, Amanda Brugel, Krista Bridges or the visual majesty of its technical execution, Sometimes the Good Kill is a significant contribution to the cinema of 2017. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.

Where to Watch Sometimes the Good Kill Online?

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Parents Guide & Age Rating

Not Rated
Sometimes the Good Kill has not been officially rated yet. However, due to its genre classification (Thriller, Drama, Crime, Mystery), viewers should expect mature themes, violence.

Final Verdict

Analyzing the audience sentiment, IMDb rating of 5.2/10, and global collection metrics, Sometimes the Good Kill stands as a challenging project for the creators. It remains an essential piece of the 2017 cinematic year.

Official Trailer

Frequently Asked Questions

Is Sometimes the Good Kill movie hit or flop?

Sometimes the Good Kill has received mixed reviews with a 5.2/10 rating, making it a moderate success with the audience.

Is Sometimes the Good Kill worth watching?

Sometimes the Good Kill is a mixed bag. It might be worth watching if you're a fan of Thriller, Drama, Crime movies, but read reviews first.

Where can I watch Sometimes the Good Kill online?

Sometimes the Good Kill may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.

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Expert Consensus
Live Rating
MOVIEMX
★ 5.2
Sometimes the Good Kill
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Synopsis

After a mysterious death at the Abbey, Sister Talia finds herself caught in the center of the internal investigation. With strict orders from the newly elected Mother Superior, she must uncover the truth behind the death and ensure the Abbey remains undisturbed. Things take a sharp turn when another sister is found murdered and Sister Talia is forced to find the killer. As she discovers larger secrets plaguing the Abbey, Sister Talia must reconcile her past life in order to follow through with the task at hand. For Sister Talia, all that she knows about the Abbey and her Sisters is about to come into question, as she discovers sometimes the good kill.